Satanic music should not be mistaken for pagan music. Pagan music is much more serious music, and its purpose is not so much to express resentment against Christianity as it is to give expression to the healthy religious feelings of pre-Christian Europe and to express an awareness of blood and soil and very deep racial roots. It is not nihilistic, and it really belongs with the other positive forms of resistance music: that is, with what the Jews denounce as "hate music."

The nihilistic music, on the other hand, is fine with the Jews. They would prefer, I believe, for everyone to be a good, little multicultural lemming, but if one must rebel against that, then the rebellion should take a nihilistic form. And of course, Satanism isn't the only form of nihilism. For example, there's a whole category of rock music which is called "Death Metal," and let me tell you, it is very sick stuff. It is totally hedonistic, like Satanic music -- you know, everything goes; if it feels good do it; you have no responsibility to anyone or anything but yourself; nothing is sacred; nothing is worthy of respect; nothing matters but your own personal pleasure. But Death Metal goes beyond hedonism: far beyond it. It is music that glories in perversity, music that seeks to defile, music that exalts sickness and unnaturalness and pain and decay and destruction and death. Its lyrics deal with cannibalism, with necrophilia, with bestiality, and with every other perversion imaginable. Torture and mutilation are very common themes. It's morbid, twisted stuff.

You see, both resistance music and nihilist music, Death Metal music, are in a sense rebel music, music which expresses a rejection of what we might call the "mainstream" world. Resistance music fans reject the mainstream world because it has been multiculturalized, because it no longer is a White world, and they want to make it White again. Death Metal fans reject the mainstream world simply because they have become alienated and no longer have an attachment to anything but themselves.

There's more than cluelessness and a desire to shock parents involved in the growing popularity of Death Metal, however. The music reflects a growing morbidity in the outlook of young White people. The growing suicide rate among young Whites also reflects this. Alienation is not a normal, healthy condition. When a large number of young people are uprooted and no longer have a clear sense of identity or a clear sense of belonging to a natural community, to a racial community, one should not be surprised at the development of various pathologies, such as hedonism and the fascination with death.

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